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Essays on the Gita -Sri Aurobindo
Second Series : Chapter 9
The Theory of the Vibhuti
The liberated eye does not lay undue stress on the perversion and imperfection, but is able to see all with a complete love and charity in the heart, a complete understanding in the intelligence, a complete equality in the spirit. Finally, it sees the upward urge of the striving powers of the Will to be towards Godhead; it respects, welcomes, encourages all high manifestations of energy and quality, the flaming tongues of the Divinity, the mounting greatnesses of soul and mind and life in their intensities uplifted from the levels of the lower nature towards heights of luminous wisdom and knowledge, mighty power, strength, capacity, courage, heroism, benignant sweetness and ardour and grandeur of love and self-giving, preeminent virtue, noble action, captivating beauty and harmony, fine and godlike creation. The eye of the spirit sees and marks out the rising godhead of man in the great Vibhuti. This is a recognition of the Godhead as Power, but power in its widest sense, power not only of might, but of knowledge, will, love, work, purity, sweetness, beauty. The Divine is being, consciousness and delight, and in the world all throws itself out and finds itself again by energy of being, energy of consciousness and energy of delight; this is a world of the works of the divine Shakti. That Shakti shapes herself here in innumerable kinds of beings and each of them has its own characteristic powers of her force. Each power is the Divine himself in that form, in the lion as in the hind, in the Titan as in the God, in the inconsistent sun that flames through ether as in man who thinks upon earth. The deformation given by the gunas is the minor, not really the major aspect; the essential thing is the divine power that is finding self-expression. It is the Godhead who manifests himself in the great thinker, the hero, the leader of men, the great teacher, sage, prophet, religious founder, saint, lover of man, the great poet, the great artist, the great scientist, the ascetic self-tamer, the tamer of things and events and forces. The work itself, the high poem, the perfect form of beauty, the deep love, the noble act, the divine achievement is a movement of godhead; it is the Divine in manifestation. This is a truth which all ancient cultures recognised and respected, but one side of the modern mind has singular repug- nances to the idea, sees in it a worship of mere strength and power, an ignorant or self-degrading hero-worship or a doctrine of the Asuric superman.
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