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Essays on the Gita -Sri Aurobindo
First Series : Chapter 14
The Principle of Divine Works
Neither the dynamism of the kinetic man nor the actionless light of the ascetic or quietist, neither the vehement personality of theman of action nor the indifferent impersonality of the philosophic sage is the complete divine ideal. These are the two conflicting standards of the man of this world and the ascetic or the quietist philosopher, one immersed in the action of the Kshara, the other striving to dwell entirely in the peace of the Akshara; but the complete divine ideal proceeds from the nature of the Purushottama which transcends this conflict and reconciles all divine possibilities. The kinetic man is not satisfied with any ideal which does not depend upon the fulfilment of this cosmic nature, this play of the three qualities of that nature, this human activity of mind and heart and body. The highest fulfilment of that activity, he might say, is my idea of human perfection, of the divine possibility in man; some ideal that satisfies the intellect, the heart, the moral being, some ideal of our human nature in its action can alone satisfy the human being; he must have something that he can seek in the workings of his mind and life and body. For that is his nature, his dharma, and how can he be fulfilled in something outside his nature? For to his nature each being is bound and within it he must seek for his perfection. According to our human nature must be our human perfection; and each man must strive for it according to the line of his personality, his svadharma, but in life, in action, not outside life and action. Yes, there is a truth in that, replies the Gita; the fulfilment of God in man, the play of the Divine in life is part of the ideal perfection. But if you seek it only in the external, in life, in the principle of action, you will never find it; for you will then not only act according to your nature, which is in itself a rule of perfection, but you will be—and this is a rule of the imperfection—eternally subject to its modes, its dualities of liking and dislike, pain and pleasure and especially to the rajasic mode with its principle of desire and its snare of wrath and grief and longing,— |
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